I never cared for Donald Trump – his public persona, at least.
And I certainly have never been a big fan of Roseanne Barr.
The debut of the reboot of Rosanne shows what I know, I guess.
Roseanne made a triumphant return Tuesday night, blowing past projections with a 5.2 adults 18-49 rating and 18.2 million total viewers for the debut of its revival, which drew 10% more viewers than the original series finale 21 years ago.
While nostalgia was expected to bring in eyeballs, no one predicted such a huge turnout on premiere night for the blue-collar family sitcom with a Donald Trump-supporting protagonist, especially among the younger demographic. But then, few predicted that Trump would become the Republican nominee and would win the presidential election when he first announced his candidacy.
But one thing that has become predictable is that liberal Hollywood and New York are shocked, shocked, that people in “flyover land” can take a break from fawning over Los Angeles and New York-centered, virtue-signal-clogged, impeccably progressive entertainment to partake in a little of (let’s be honest) the cultural Resistance:
But it worked, leaving many TV insiders shellshocked today by the magnitude of the revival’s ratings success that revealed the untapped potential of comedies that provide realistic portrayal of blue-collar America. What’s more, Roseanne did that while also making a social commentary, something rarely seen since All in the Family, Norman Lear’s 1970s classic that has long been rumored to get a reboot.
Y’know what’d be fun (and never, never get greenlit)? A reboot of All in the Family with a crusty, intolerant patriarch who was a former hippie, longtime “progressive” activist and virtue-signaling bigot, whose daughter marries a hard-working conservative square-stater.
That would be a fun reboot.