I’ll grant you that Peter Garrett’s preening gets obnoxious at times. His far far far left politcs, ditto.

But I just love listening to the way all the many, many moving parts go together in this song without squeezing out all the raw power of the song.

Because anyone can do “angry” (and every Twin Cities leftyblogger does “smug). But musicianship? Like being able to sing in four parts competently as you play a song with that many consecutive changes (because this is no three-chord blues song)?

Sorry. I was just in the mood.