Flophood

By Mitch Berg

Uma Thurman’s latest, Motherhood, flopped badly in the US, bringing in only $40,000 toward a $3.5 million budget.

But that was great compared to its showing in the UK; opening weekend brought in a grand total of 11 viewers, including only one on its debut Sunday.  The total take for its UK opening weekend?

£88.

Barry Norman, the critic, said it was “astonishing” that only 11 people could be bothered to go and see a film starring Thurman. “The reviews were very poor indeed but that alone isn’t enough to explain it.”

True.

But the Tarantino Curse does explain it.  Working with Tarantino seems to have become a Faustian bargain for stars; make big bank now, and get on the train for palookaville later.

22 Responses to “Flophood”

  1. Chad The Elder Says:

    Yeah after “Pulp Fiction” John Travolta, Bruce Willis, and Samuel L. Jackson have almost completely faded from view.

  2. Terry Says:

    Look what happened to David Carradine.

  3. Mitch Berg Says:

    Yeah after “Pulp Fiction” John Travolta, Bruce Willis, and Samuel L. Jackson have almost completely faded from view.

    No, but none of them really has the mojo anymore.

  4. swiftee Says:

    No, but none of them really has the mojo anymore.

    Right, where mojo isn’t landing more work than you can physically do in a year.

    C’mon, Mitch…swing and a miss buddy!

  5. kel Says:

    I think it would be more accurate to say that actors whose break-out performance is in a Tarantino flick suffer long term stigma. John Travolta, Bruce Willis, and Samuel L. Jackson all were well established before Pulp Fiction.

  6. Kermit Says:

    Harvey Kietel still hasn’t recovered from Reservoir Dogs.

  7. bubbasan Says:

    One wonders where the people are that ought to have told Tarantino that what he was doing was a complete dog of a movie.

  8. Ben Says:

    the big problem with the curse is that Tarentino hasn’t done a good movie since Pulp Fiction. Was I the only one that thought Inglorious Basterds was an over rated piece of shit?

  9. Chad The Elder Says:

    Before “Pulp Fiction” Travolta was well-established in the “where are they now?” ash heap of entertainment history. The movie helped revive his career and reestablish his place as a star. Far more than a curse, Tarantino’s casting proved to be a blessing for him.

  10. Mitch Berg Says:

    The movie helped revive his career and reestablish his place as a star.

    Which he’s gone on to squander again.

    The curse.

  11. Mitch Berg Says:

    Enh. So it didnt’ kill their careers.

    But good God, man, Tarantino sucks.

  12. mnbubba Says:

    I’d say that if you can get past its jaw-droppingly ridiculous premise, Inglorious Basterds is in fact a superbly-made movie. The Christoph Walz interrogation of the french farmer was an astonishing piece of pacing, dialogue and acting. Ditto the basement shootout. And the projection of Shoshanna onto the smoke and flames in the burning theatre at the climax was an image that will stay with me for a very long time. You wanna talk big-name directors who suck? Brian DePalma oughtta be at the top of anybody’s list.

  13. K-Rod Says:

    What swiftee said.

  14. nerdbert Says:

    But good God, man, Tarantino sucks.

    What Mitch said.

  15. RickDFL Says:

    Mitch:
    If you look at Uma’s film list, her recent success/flop ratio seems fairly typical. It is not like Gattaca was Titanic.

  16. DiscordianStooj Says:

    Tarantino aside, doesn’t this happen to most actors. If they’re lucky, they get one big hit, are the next big thing, then kind of fade away.

  17. Mitch Berg Says:

    Yeah, I know. It was a reach.

    I do detest Tarantino that much.

    And it’s partly BECAUSE he’s good at what he does. If he were a negligible talent as a film craftsman, nobody would care that he’s Beavis with a thing for crap.

  18. Scott Hughes Says:

    “I do detest Tarantino that much.”

    X2

  19. Night Writer Says:

    Tarantino is a lot like Kevin Smith for me: moments of fabulous, tone-perfect art wrapped in garbage. To steal a line from a favorite movie of my kids (not a Tarantino or Smith film): “once you get past the gag reflex you open up a world of possibilities…” There are those moments in Pulp Fiction (actually more than the junk) and it’s about 50/50 for the Kill Bill series.

    I started watching Basterds a couple of weeks ago. The scene with the farmer at the beginning and the later interview with Shoshonna in the restaurant were classics of quiet, steadily increasing, claustrophic suspense. But I was tired, and kind of stressed by other things, and I turned it off halfway through, thinking I’d finish it the next day. When I went to turn it back on I realized that I didn’t really have much interest in finding out how it ended. I took it out and mailed it back to Netflix the same day.

  20. Badda Says:

    Bruce is making an appearance in that new movie due out in August… it looks like a bunch of guys are going to punch, kick, smash, cut, shoot, blow up, run over, and generally kick ass as well as get punched, kicked, smashed, cut, shot, blown up, ran over, and generally get their asses kicked.

    I can’t remember the title, but it has a metal skull with “wings” made out of big effing guns and knives. I think there’s a story in there, but whatever.

  21. timpf Says:

    Pulp fiction wasn’t any fun to see, kill bill was lousy, etc. Tarantino is big in Hollywood but nonexistent in my viewing world. Not surprised Uma’s latest is lousy.

  22. Bill C Says:

    Badda:

    It’s called “The Expendables”. It’s being made by Sylvester Stallone, and stars or has cameos of pretty much every major action movie actor of the last 20 years except Van Damme and Steven Seagal. Stallone, Jason Statham, Jet Li, Dolph Lundgren, Eric Roberts, Randy Couture, Steve Austin (the wrestler), Mickey Rourke, and cameos by Willis and The Guvehnatuh.

    Of course, I’ll be looking forward to Charisma Carpenter’s role the most.

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