{"id":84414,"date":"2023-02-07T11:00:00","date_gmt":"2023-02-07T17:00:00","guid":{"rendered":"http:\/\/www.shotinthedark.info\/wp\/?p=84414"},"modified":"2023-02-06T19:51:08","modified_gmt":"2023-02-07T01:51:08","slug":"when-the-breakdown-hit-at-midnight-there-was-nothing-left-to-say","status":"publish","type":"post","link":"http:\/\/www.shotinthedark.info\/wp\/?p=84414","title":{"rendered":"When The Breakdown Hit At Midnight There Was Nothing Left To Say"},"content":{"rendered":"\n

Backstreets <\/em>magazine, which has been covering all things Springsteen and setting the standard for high-music fanzines since 1980, is going out for a ride and not coming back. <\/p>\n\n\n\n

Like so much in modern music, it’s Ticketmaster’s fault:<\/p>\n\n\n\n

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If you read the editorial Backstreets published last summer in the aftermath of the U.S. ticket sales, you have a sense of where our heads and hearts have been: dispirited, downhearted, and, yes, disillusioned. It’s not a feeling we’re at all accustomed to while anticipating a new Bruce Springsteen and the E Street Band tour. If you haven’t yet read that editorial (“Freeze-out,” July 24, 2022<\/a>), or the crux of Springsteen’s response to Rolling Stone<\/em><\/a> in November, we encourage you to do so; we don’t want to rehash those issues, but we stand behind our positions and points.<\/p>\n\n\n\n

We’re not alone in struggling with the sea change. Judging by the letters we’ve received over recent months, the friends and longtimers we’ve been checking in with, and the response to our editorial, disappointment is a common feeling among hardcore fans in the Backstreets community.<\/p>\n\n\n\n

<\/p>\n<\/blockquote>\n\n\n\n

Side note: loath as I am to either commend Senator Klobuchar for, well, anything, or to recommend anything from WNYC’s generally loathsome On The Media<\/em>, this past week’s episode breaks down the history of Ticketmaster’s toxic impact on music. Don’t tell anyone, but it’s worth a listen:<\/p>\n\n\n\n