{"id":74573,"date":"2020-07-08T11:00:00","date_gmt":"2020-07-08T16:00:00","guid":{"rendered":"http:\/\/www.shotinthedark.info\/wp\/?p=74573"},"modified":"2020-07-07T16:53:43","modified_gmt":"2020-07-07T21:53:43","slug":"just-a-couple-of-prog-rock-blokes","status":"publish","type":"post","link":"http:\/\/www.shotinthedark.info\/wp\/?p=74573","title":{"rendered":"Just A Couple Of Prog-Rock Blokes"},"content":{"rendered":"\n\n\n<p>I&#8217;ve never much cared for the &#8220;progressive-rock&#8221; band Yes (except for their 1985 reboot, saying which always starts an argument with my Yes-fan friends).  And in saying that, I&#8217;ll stipulate a lot of that disdain was my own adolescent &#8220;too cool for school&#8221; arrogance about music.  <\/p>\n\n\n\n<p>But &#8220;a lot&#8221; ain&#8217;t everything.  &#8220;Progressive Rock&#8221;, with its orchestral pretensions and acid-fueled subject matter, annoys me almost as much in retrospect as it did then.  <\/p>\n\n\n\n<p>But <a href=\"http:\/\/www.shotinthedark.info\/wp\/?p=54076\">as I noted five years ago with the death of their founding bassist Chris Squire<\/a>, they could really play.  <\/p>\n\n\n\n<p>Of course, they knew it.  One of the things that probably got me off on a bad foot with Yes were a series of interviews I read with guitarist Steve Howe; with his academic background and classical guitar training, Howe came off like he was working on a cure for cancer, rather than&#8230;songs.  <\/p>\n\n\n\n<p>Keyboardist Rick Wakeman &#8211; he of the Gregg Allman hair and flowing robes and mad-scientist stacks of keyboards &#8211; is inseparable from Yes (although he&#8217;s left the band a few times, so Yes is clearly separable from him).  In the seventies, Wakeman was practically a synonym for bloated pretension. <\/p>\n\n\n\n<p>And they were right &#8211; but as always, there&#8217;s more to it.  <\/p>\n\n\n\n<p>This is  <a href=\"https:\/\/www.vanityfair.com\/style\/2020\/06\/the-stranger-than-fiction-secret-history-of-prog-rock-icon-rick-wakeman?utm_source=pocket-newtab\">htt a fairly fascinating piece about the Rick Wakeman story<\/a>, including a lot of things I really never thought I&#8217;d want to know but am glad I now do.  And I&#8217;m actually kind of interested&#8230;<\/p>\n\n\n\n<p>&#8230;in the guy.  Not the seventies Yes albums, or Wakeman&#8217;s (not making this up) ice show about the legend of King Arthur &#8211; although reading about the guys he produced it all with just gets more and more interesting. <\/p>\n\n\n\n<p>And to circle back to Steve Howe?   I saw this a few years ago, before Squire&#8217;s death &#8211; a &#8220;rig rundown&#8221; of Howe and Squires instruments, amps and other gear.  And Howe comes across as a pretty dang likeable&#8230;<\/p>\n\n\n\n<p>&#8230;well, not so much a &#8220;bloke&#8221;.  Maybe more of an affable old professor who&#8217;s taken to genial chats about his favorite light reading. <\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Rig Rundown - Yes&#039; Chris Squire &amp; Steve Howe\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/bsGjl6kP0SI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>There are times I kick myself for having sorted so much of the world out according to cliches I picked out of <em>Rolling Stone<\/em>.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve never much cared for the &#8220;progressive-rock&#8221; band Yes (except for their 1985 reboot, saying which always starts an argument with my Yes-fan friends). And in saying that, I&#8217;ll stipulate a lot of that disdain was my own adolescent &#8220;too cool for school&#8221; arrogance about music. But &#8220;a lot&#8221; ain&#8217;t everything. &#8220;Progressive Rock&#8221;, with its [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,254],"tags":[],"class_list":["post-74573","post","type-post","status-publish","format-standard","hentry","category-music","category-reconsidering-the-70s"],"_links":{"self":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/74573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=74573"}],"version-history":[{"count":4,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/74573\/revisions"}],"predecessor-version":[{"id":74603,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/74573\/revisions\/74603"}],"wp:attachment":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=74573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=74573"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=74573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}