{"id":4691,"date":"2009-06-15T12:02:04","date_gmt":"2009-06-15T17:02:04","guid":{"rendered":"http:\/\/www.shotinthedark.info\/wp\/?p=4691"},"modified":"2012-03-16T21:10:14","modified_gmt":"2012-03-17T02:10:14","slug":"things-im-supposed-to-love-but-cant-stand-john-prine","status":"publish","type":"post","link":"http:\/\/www.shotinthedark.info\/wp\/?p=4691","title":{"rendered":"Things I&#8217;m Supposed To Love, But Can&#8217;t Stand: REM"},"content":{"rendered":"<p>Yeah, yeah, I know &#8211; most important American band of the last twenty years, bla bla bla.<\/p>\n<p>Save it.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/radiobeta.com\/blog\/wp-content\/uploads\/2008\/10\/rem.jpg\" \/><\/p>\n<p>REM &#8211; Michael Stipe, Pete Buck, Mike Mills and the long-departed Bill Berry &#8211; have been critical darlings and, for the most part, commercial powerhouses for a generation now (it used to really bug my stepson that after a jag of feeling hip that he&#8217;d gotten the new REM record, I pulled out my copy of <em>Murmur<\/em> from my sophomore year of college. Psych).<\/p>\n<p>Well, good for them.<br \/>\n<img decoding=\"async\" src=\"http:\/\/img160.imageshack.us\/img160\/7220\/januaryzz4.jpg\" \/><\/p>\n<p>Here&#8217;s the maddening thing about REM; I can scarcely listen to a single one of their albums all the way through.\u00a0 Pete Buck <a href=\"http:\/\/en.wikipedia.org\/wiki\/R.E.M._(band)#cite_note-92\">once <\/a>described the band&#8217;s is-it-a-stereotype-or-is-it-a-cliche style:&#8221;Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things. That&#8217;s what everyone thinks and to a certain degree, that&#8217;s true.&#8221;\u00a0 REM&#8217;s music is all oblique this and badly-enunciated enigmatic reference that and sophomore poetry-class the other thing, and always, always Michael Stipe prancing around going &#8220;hreydee-yo hree murrup&#8221; and &#8220;and nuh freyn konnukter fez, ryever ape, pake a mape&#8221;&#8230;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" height=\"340\" width=\"455\" src=\"http:\/\/krishk.files.wordpress.com\/2008\/03\/rem_1024.jpg\" \/><\/p>\n<p>Mind you, I don&#8217;t <em>mind <\/em>oblique, enigmatic and sophomoric per se. And I can&#8217;t knock the band itself; Mills and Berry were an excellent Watts &#8216;n Wyman-style rhythm section; Mills has a distinctive yet perfect backing vocal style; Pete Buck is&#8230;well, perfectly functional given his chosen limits. And Michael Stipe is a good singer with an excellent (albeit not Bono-like) and distinctive voice.<br \/>\n<img decoding=\"async\" src=\"http:\/\/botany.csdl.tamu.edu\/FLORA\/wob\/elisa\/auditory\/rem.jpg\" \/><\/p>\n<p>But most of REM&#8217;s music invariably bores me stiff&#8230;<\/p>\n<p>&#8230;except that every album (that I bothered listening to, which hasn&#8217;t happened since 1998&#8217;s <em>Up<\/em>, includes one, <em>and only one<\/em>, song that I just absolutely love, love love &#8211; which always comes out <em>after\u00a0 <\/em>the dreary, minor-key mid-tempo southern-mythology-sodden ballad.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/globalmajority.org\/gm\/images\/stories\/rem.jpg\" \/><br \/>\nAlbum by album:<\/p>\n<ul>\n<li><em><a title=\"Murmur (album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Murmur_%28album%29\">Murmur<\/a><\/em> &#8211; was entirely dispensable &#8211; except that life without &#8220;Radio Free Europe&#8221; would be a lot poorer.\u00a0 But it&#8217;s more a visceral thing &#8211; the rhythm section&#8217;s tight snap, the cool (if inscrutable) hook line, the <em>zing<\/em> of the thing.\u00a0 Certainly not the lyrics, as delivered by Michael Stipe\u00a0 &#8220;Sigh this elf if radio munna slay\/Reason it muld paw ish utta pray\/poodat poodata poodta up your wah\/Mrs. Islecumfray ah haul.\u00a0 Raving station, be fly&#8230;&#8221;<\/li>\n<li><em><a title=\"Reckoning (R.E.M. album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Reckoning_%28R.E.M._album%29\">Reckoning<\/a><\/em> led off with the &#8220;South Central Rain (I&#8217;m Sorry)&#8221;, or as Stipe pronounced it, &#8220;Um Hawry&#8221;, which makes me nod off a bit 25 years later &#8211; but followed up with &#8220;Don&#8217;t Go Back To Rockville&#8221;, which was a really good song.<\/li>\n<li><em><a title=\"Fables of the Reconstruction\" href=\"http:\/\/en.wikipedia.org\/wiki\/Fables_of_the_Reconstruction\">Fables of the Reconstruction<\/a><\/em> &#8211; Produced by Joe Boyd, who produced Richard Thompson&#8217;s classic &#8220;Shoot Out The Lights&#8221;, <em>Fables <\/em>breaks the pattern only slightly: lead-off single &#8220;Driver 8&#8221; didn&#8217;t suck, and follow-up &#8220;Can&#8217;t Get There From Here&#8221; is actually IPod-worthy.<\/li>\n<li><em><a title=\"Lifes Rich Pageant\" href=\"http:\/\/en.wikipedia.org\/wiki\/Lifes_Rich_Pageant\">Lifes Rich Pageant<\/a><\/em> &#8211; Not even Don Gehman &#8211; who&#8217;d just produced John Mellencamp&#8217;s classic <em>Scarecrow<\/em>, could make most of this album less tedious &#8211; except for the gorgeous &#8220;Fall On Me&#8221;.<\/li>\n<li><em><a title=\"Document (album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Document_%28album%29\">Document<\/a><\/em> &#8211; &#8220;The One I Love&#8221; almost made me pound my ears out with a potato masher.\u00a0 And &#8220;Exuming McCarthy&#8221; may have been the dumbest anti-Reagan song in a decade full of standouts.\u00a0 But &#8220;It&#8217;s The End Of The World As We Know It&#8221; jumps in at last minute and staves off self-mutilation.<\/li>\n<li><em><a title=\"Green (album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Green_%28album%29\">Green<\/a><\/em> &#8211; What if the Brill Building was in Athens, Georgia in 1988, instead of Philadelphia in 1962?\u00a0 You&#8217;d have gotten &#8220;Stand&#8221;, and most of the album.\u00a0 Except &#8220;Orange Crush&#8221;, which, dude.<\/li>\n<li><em><a title=\"Out of Time (album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Out_of_Time_%28album%29\">Out of Time<\/a><\/em> &#8211; I used to wonder if &#8220;Losing My Religion&#8221; was a self-parody; if I were going to write a spoof of REM, it&#8217;d sound just like LMR, and have just about the same lyrics.\u00a0 But I still love &#8220;Shiny Happy People&#8221;, although having Kate Pearson on board helps.<\/li>\n<li><em><a title=\"Automatic for the People\" href=\"http:\/\/en.wikipedia.org\/wiki\/Automatic_for_the_People\">Automatic for the People<\/a><\/em> &#8211; Small breach of protocol: &#8220;Everybody Hurts&#8221; <em>and <\/em>&#8220;Man In The Moon&#8221; don&#8217;t suck.<\/li>\n<li><em><a title=\"Monster (R.E.M. album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Monster_%28R.E.M._album%29\">Monster<\/a><\/em> &#8211; Bla bla bla &#8220;What&#8217;s the Frequency KennetH&#8221; bla bla bla.<\/li>\n<li><em><a title=\"New Adventures in Hi-Fi\" href=\"http:\/\/en.wikipedia.org\/wiki\/New_Adventures_in_Hi-Fi\">New Adventures in Hi-Fi<\/a><\/em> &#8211; Broke the pattern again &#8211; <em>all of it sucked<\/em>.<\/li>\n<li><em><a title=\"Up (R.E.M. album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Up_%28R.E.M._album%29\">Up<\/a><\/em>, <em><a title=\"Reveal (album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Reveal_%28album%29\">Reveal<\/a><\/em>, <em><a title=\"Around the Sun\" href=\"http:\/\/en.wikipedia.org\/wiki\/Around_the_Sun\">Around the Sun<\/a><\/em>, <em><a title=\"Accelerate (R.E.M. album)\" href=\"http:\/\/en.wikipedia.org\/wiki\/Accelerate_%28R.E.M._album%29\">Accelerate<\/a><\/em> &#8211; never heard any of &#8217;em.<\/li>\n<\/ul>\n<p>But as with most of these &#8220;things I should love but don&#8217;t&#8221; pieces, it&#8217;s not so much the artist as the artist&#8217;s fans. And it&#8217;s not just that REM fans are just this side of Grateful Dead fans in terms of worshipping.\u00a0 No, it&#8217;s the damage they did.<\/p>\n<p>An alt-rock radio program director I once knew summed up alt-rock in the late eighties: &#8220;There are two types of music&#8221;, said the learned sage; &#8220;Noisy rock, and Jangly rock&#8221;.\u00a0 The poles of his universe were Dinosaur Junior on the one hand, and REM on the other.\u00a0 And this program director was hardly alone.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" height=\"331\" width=\"505\" src=\"http:\/\/members.iinet.net.au\/~darryl74\/images\/rem_sept_1982_drumstick.jpg\" \/><\/p>\n<p>So for a couple of years in the late eighties and early nineties, alt-rock diverged into two miserable paths: sludgy, mopey glop that eventually morphed into grunge, and jangly, folky music in a zillion nearly-identical permutations (The Connells, Wednesday Week, Aztec Camera, Let&#8217;s Active!) that eventually morphed into&#8230;<\/p>\n<p>&#8230;well, landfill.\u00a0 Nobody remembers any of it.\u00a0 Not even &#8211; be honest! &#8211; most of what REM did.<\/p>\n<p>Well, some of it, we do.\u00a0 Only we can&#8217;t make out the damn words.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yeah, yeah, I know &#8211; most important American band of the last twenty years, bla bla bla. Save it. REM &#8211; Michael Stipe, Pete Buck, Mike Mills and the long-departed Bill Berry &#8211; have been critical darlings and, for the most part, commercial powerhouses for a generation now (it used to really bug my stepson [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,14],"tags":[211],"class_list":["post-4691","post","type-post","status-publish","format-standard","hentry","category-mitch","category-music","tag-love-and-hate"],"_links":{"self":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/4691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4691"}],"version-history":[{"count":1,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/4691\/revisions"}],"predecessor-version":[{"id":26893,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/4691\/revisions\/26893"}],"wp:attachment":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4691"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}