{"id":23663,"date":"2011-11-17T23:31:15","date_gmt":"2011-11-18T05:31:15","guid":{"rendered":"http:\/\/www.shotinthedark.info\/wp\/?p=23663"},"modified":"2011-11-18T07:31:28","modified_gmt":"2011-11-18T13:31:28","slug":"the-real-eighties-everybody-wants-some","status":"publish","type":"post","link":"http:\/\/www.shotinthedark.info\/wp\/?p=23663","title":{"rendered":"The Real Eighties: Everybody Wants Some"},"content":{"rendered":"<p>It was in the eighties that the definition of the term &#8220;great guitar player&#8221; changed.<\/p>\n<p><!--more--><\/p>\n<p>In the fifties, a &#8220;great guitar player&#8221; was the likes of James Burton.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/Y4_sRnD7iIg\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p>Elvis&#8217; longtime lead guitar player ws pretty typical of the era; combining blues, R&amp;B and country-western styles into a fluid melange.<\/p>\n<p>In the sixties, of course, the guitar came into its own as the dominant instrument &#8211; with the idea of the &#8220;lead guitar player&#8221; coming into its own as a genre. It&#8217;s easy to name guitar players from the era &#8211; George Harrison, Pete Weir, Dave Davies, Eric Clapton, Jeff Beck &#8211; but eventually most roads led to Jimi Hendrix:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/y_n_P40sEaM\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p>&#8230;who plugged the blues into some newly-cheap technology (in this case, transistorized guitar effects like the &#8220;fuzz box&#8221;, the phase shifter and the wah-wah pedal), creating a mixture that matched the psychedelic <em>id<\/em> of the era.<\/p>\n<p>The seventies, as far as the guitar went, was largely about making the guitar a melodic element in a band&#8217;s sound; see guitarists as diverse as George Harrison, David Gilmour, Nils Lofgren, and Tom Verlaine and Richard Lloyd and the list goes on and on&#8230;<\/p>\n<p>Now, Van Halen did get its start in the seventies.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/z_lwocmL9dQ\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p>But that first Van Halen album, coming out six years after Hendrix&#8217; death, was the start (at least commercially) of several trends that changed the way people perceived what made &#8220;great&#8221; guitar:\u00a0almost supernatural dexterity and fingerboard acrobatics; disconnection of the instrument from the &#8220;genre&#8221; &#8211; &#8220;explosive guitar&#8221; almost became a genre of its own; focus on the guitar as an &#8220;event&#8221;&#8230;<\/p>\n<p>&#8230;.and, most of all, the beginning of the idea of the guitar player as a &#8220;virtuoso&#8221;, in a very classical sense, complete with extended pyrotechnic soloing that borrowed everything from the classical <em>obligato<\/em>\u00a0but the name.<\/p>\n<p>Randy Rhodes, of course, is the first name people go to.  Ozzy Ozbourne&#8217;s iconic guitar player (seen here in a fanboy video that actually is a pretty good overview of his career)&#8230;<\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/UVJKlOkrgt0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&#8230;is the next name most people go to.  It&#8217;s amazing to watch him do things with (guitar players only here) full-on picking that sound like they&#8217;re hammer-ons. <\/p>\n<p>And then there&#8217;s Steve Vai.<\/p>\n<p>Vai, so freakishly talented that Frank Zappa, himself no slouch on the instrument, called him a &#8220;stunt guitarist&#8221;, was a prodigy on the instrument from his teens.  Zappa plucked him from Boston&#8217;s prestigious Berklee College of Music at age 20 to transcribe his own solos, and then tour with him, Vai has been the &#8220;Oh, yeah, how about&#8230;&#8221; trump card in a hundred gazillion &#8220;who&#8217;s the best guitar player&#8221; arguments in the past thirty years.  <\/p>\n<p>Here&#8217;s an example (recorded in 2004, but a good example of how Vai&#8217;s played for thirty years now)..<\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/j_7iRZzlSzI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&#8230;not only of his sheer virtuosity (which descends into comedy around the 4:50 mark), but of why he, and so much of the genre, bores me stiff.  <\/p>\n<p>You heard me right.<\/p>\n<p>This much talent, speed and virtuosity eventually wears you down.  It&#8217;s predictable.  It&#8217;s like watching a computer executing a mathematician&#8217;s formula. It&#8217;s so fast, so tight, so perfect, that it&#8217;s not just dull, but it wears me down.  <\/p>\n<p>And bear in mind that I say it&#8217;s &#8220;wearing-down dull&#8221; with the greatest respect!  Like I&#8217;ve written a slew of times, I appreciate music on a couple of levels; an intellectual appreciation for technical talent, and an emotional response to a piece of music that grabs me in the liver.<\/p>\n<p>Vai, and a horde of similar players, were part of a trend that still dominates the instrument today; people with stunning chops whose musicianship is mind-numbingly proficient, and with any emotional response squeezed out.  <\/p>\n<p>I&#8217;m going to rewind this post back to Hendrix; I need to wake up. <\/p>\n<p>Anyway &#8211; it was a trend that started in the eighties.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was in the eighties that the definition of the term &#8220;great guitar player&#8221; changed.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[156],"tags":[],"class_list":["post-23663","post","type-post","status-publish","format-standard","hentry","category-the-real-eighties"],"_links":{"self":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/23663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23663"}],"version-history":[{"count":4,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/23663\/revisions"}],"predecessor-version":[{"id":24435,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/23663\/revisions\/24435"}],"wp:attachment":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23663"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}