Music rights are a funny thing.<\/p>\n
When I was in radio, I learned that music rights and royalties work something like this:<\/p>\n
And that’s pretty much it.<\/p>\n
We’ll come back to that. \u00a0 Rolling Stone is “covering” \u00a0Michele Bachmann’s campaign in…<\/p>\n
…well, the same way all the media are “covering” it:<\/p>\n
Michele Bachmann hasn’t exactly gotten her campaign off to the best start. It’s bad enough to confuse movie legend John Wayne with serial killer John Wayne Gacy and crazily insist that John Quincy Adams was a founding father at the age of nine…<\/p><\/blockquote>\n
Because goodness knows we can’t have a gaffe-prone president<\/a> or vice president<\/a> atop the executive branch…<\/p>\n
…but now she’s gone and pissed off Tom Petty. The Minnesota congresswoman played “American Girl” yesterday when she walked onstage at a rally, and Rolling Stone has confirmed reports that Petty’s management team immediately sent the Bachmann campaign a cease and desist letter.<\/p><\/blockquote>\n
So I’m wondering – provided that Bachmann’s campaign paid her licensing fee, what recourse does Petty really <\/em>have?<\/p>\n
I mean, for over 20 years Rush Limbaugh has been using “My City Was Gone”, by the ultra-socialist Chrissie Hynde, as his theme song, right? Hynde can’t have been thrilled<\/p>\n
Say, if I were to play “American Girl?”
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