{"id":1387,"date":"2007-10-03T06:42:34","date_gmt":"2007-10-03T11:42:34","guid":{"rendered":"http:\/\/www.shotinthedark.info\/wp\/?p=1387"},"modified":"2007-10-03T06:43:42","modified_gmt":"2007-10-03T11:43:42","slug":"quick-which-is-the-parody","status":"publish","type":"post","link":"http:\/\/www.shotinthedark.info\/wp\/?p=1387","title":{"rendered":"Quick &#8211; Which Is The Parody?"},"content":{"rendered":"<p>No fair peeking&#8230;<\/p>\n<p>Is it A):<\/p>\n<blockquote><p>The dialectic of Christo\u2019s \u201cGates\u201d is a reflection of the post-9\/11 <em>zeitgeist<\/em>, absent the <em>schadenfreude <\/em>qua nervousness that has gripped the American populace in this world of \u201cnow-more-than-ever.\u201d The semiotics of the saffron (en)robes serves an ontological function in re-animating and re-introducing the humanity of New New York to their perceptions of the orange joy of being &#8211; the being you felt as a child, vis a vis a <em>pinata<\/em>. The Gestalt bespeaks a Foucauldian <em>Weltschmerz<\/em>, a sumptuous feast of post-Derridian brio-cum-angst. It\u2019s in this context that \u201cThe Gates\u201d covers, even metastasizes, over Central Park like a vast dollop of neo-maternalistic, neo-Marxian mayonnaise.<\/p>\n<p>The panels, a touchstone of familiarity to the bourgeoisie (nursing at the paps of <em>American Idol<\/em>), emanate as immense labia beckoning, even taunting the onlooker to become, to <em>be <\/em>the phallus penetrating into Mother Nature &#8211; the maternal <em>yin <\/em>imprisoned in the mechanistic <em>yang <\/em>of the city and yet floating above the concept of restraint &#8211; the \u201cGates\u201d welcome yet repel; they silently ululate like a <em>shtetl <\/em>of <em>schmatte<\/em>-clad <em>yentas <\/em>and yet remain silent with the deafening-yet-voiceless torment of the <em>ur-mensch<\/em>; metaphysical yet material (or rather neo-material), smug in its tangibility yet internally, silently, futilely screaming in horror at its immateriality. The \u201cGates\u201d are, in short, of a piece with and yet utterly discontiguous from the fundamental leitmotifs of our age.<\/p><\/blockquote>\n<p>Or is it B):<\/p>\n<blockquote><p>&#8220;Pedagogy requires a hermeneutic ability to make interpretive sense of the phenomena of the lifeworld in order to see the pedagogic significance of situations and relations of living with children.&#8221;<\/p><\/blockquote>\n<p>OK.  You may peek.<\/p>\n<p><!--more--><br \/>\nClick for <a href=\"http:\/\/www.sheilaomalley.com\/archives\/003635.html\">A<\/a> and <a href=\"http:\/\/genxperspective.blogspot.com\/2007\/09\/tell-me-again-why-im-doing-this.html\">B.<\/a><\/p>\n<p>OK, OK; B is &#8220;real&#8221; &#8211; in a sense.  A is merely a fiendish parody of such writing.<\/p>\n<p>I regret not going to graduate school <em>so <\/em>rarely&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No fair peeking&#8230; Is it A): The dialectic of Christo\u2019s \u201cGates\u201d is a reflection of the post-9\/11 zeitgeist, absent the schadenfreude qua nervousness that has gripped the American populace in this world of \u201cnow-more-than-ever.\u201d The semiotics of the saffron (en)robes serves an ontological function in re-animating and re-introducing the humanity of New New York to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,23],"tags":[],"class_list":["post-1387","post","type-post","status-publish","format-standard","hentry","category-education","category-geekery"],"_links":{"self":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1387"}],"version-history":[{"count":0,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1387\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1387"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.shotinthedark.info\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}